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Download Album Eminem The Slim Shady Lp 1999.Rar

1999 studio anthology by Eminem

The Slim Shady LP
Eminem - The Slim Shady LP CD cover.jpg
Studio anthology by

Eminem
Released February 23, 1999
Recorded 1997–1998[ane]
Studio Studio eight (Ferndale, Michigan)
Genre
  • Hip-hop
  • horrorcore
Length 59:39
Label
  • Aftermath
  • Interscope
Producer
  • Dr. Dre
  • Eminem
  • Mark & Jeff Bass
  • Mel-Man
Eminem chronology
Slim Shady EP
(1997) 		The Slim Shady LP
(1999) 		The Marshall Mathers LP
(2000)
Singles from The Slim Shady LP
  1. "Simply Don't Requite a Fuck"
    Released: Oct 13, 1998
  2. "My Name Is"
    Released: January 25, 1999
  3. "Role Model"
    Released: May 26, 1999
  4. "Guilty Conscience"
    Released: June viii, 1999

The Slim Shady LP is the second studio album by American rapper Eminem. It was released on Feb 23, 1999, past Aftermath Amusement and Interscope Records. Recorded in Ferndale, Michigan following Eminem's recruitment by Dr. Dre and Jimmy Iovine, the album features production from Dr. Dre, Bass Brothers, and Eminem himself.

Featuring West Coast hip hop, G-funk and horrorcore musical styles, the majority of The Slim Shady LP 's lyrical content is written from the perspective of Eminem's modify ego, named Slim Shady, whom he created on the Slim Shady EP (1997). The Slim Shady LP contains cartoonish depictions of violence and heavy use of profanity, which Eminem described as horror film-esque, in that information technology is solely for entertainment value. Although many of the lyrics on the album are considered to be satirical, Eminem also depicts his frustrations of living in poverty.

The Slim Shady LP debuted at number two on the Billboard 200, just below TLC'due south FanMail, and number one on the Meridian R&B/Hip-Hop Albums chart. Information technology received commercial and critical success, with critics praising Eminem for his unique lyrical style, night humor lyrics, and eccentric personality.[2] The first unmarried, "My Name Is", became Eminem's first entry on the Billboard Hot 100. The anthology won All-time Rap Album at the 2000 Grammy Awards, while "My Name Is" won Best Rap Solo Performance. In 2000, The Slim Shady LP was certified quadruple platinum by the Recording Manufacture Association of America (RIAA).

While The Slim Shady LP'due south success turned Eminem from an hugger-mugger rapper into a loftier-contour celebrity, he became a highly controversial figure due to his lyrical content, which some perceived to be misogynistic and a negative influence on U.S. youth. Despite this, the album has since been included in several publications' lists of the greatest albums of all time. Spin later included information technology in their list of "The 300 All-time Albums of 1985–2014".[3]

Background [edit]

Eminem, born Marshall Bruce Mathers Three, began rapping at age 14. In 1996, his debut anthology Infinite, which was recorded at the Bassmint, a recording studio endemic by the Bass Brothers, was released under their independent record label Spider web Amusement.[4] Space achieved very little commercial success and was largely ignored by Detroit radio stations. The disappointment from this experience greatly influenced his lyrical way: "After that record, every rhyme I wrote got angrier and angrier. A lot of it was because of the feedback I got. Motherfuckers was similar, 'You're a white boy, what the fuck are y'all rapping for? Why don't you lot get into stone & roll?' All that type of shit started pissing me off."[5] After the release of Infinite, Eminem's personal struggles and abuse of methadone and alcohol culminated in a suicide attempt.[6]

The disappointment of Infinite inspired Eminem to create the alter ego Slim Shady: "Blast, the name hit me, and right away I thought of all these words to rhyme with it."[v] Slim Shady served as Eminem's vent for his frustration , and rage to the globe. In the leap of 1997, he recorded the eight-vocal extended play Slim Shady EP. During this fourth dimension, Eminem and his girlfriend Kim Scott lived in a high-offense neighborhood with their newborn daughter Hailie, where their house was burglarized numerous times.[5] After being evicted from his abode, Eminem traveled to Los Angeles to participate in the Rap Olympics, an annual nationwide rap battle competition. He placed second, and the staff at Interscope Records who attended the Rap Olympics sent a copy of the Slim Shady EP to company CEO Jimmy Iovine.[v] Iovine played the record for hip hop producer Dr. Dre, founder of Backwash Entertainment. Dr. Dre recalled, "In my entire career in the music industry, I accept never found anything from a demo tape or a CD. When Jimmy played this, I said, 'Find him. Now.'"[5] Some urged Dr. Dre not to take a adventure on Eminem because he was white. Dr. Dre responded, "I don't requite a fuck if you're majestic. If you can boot it, I'one thousand working with you."[7] Eminem and Dr. Dre subsequently began piece of work on Eminem'south major-label debut album.

Recording [edit]

Eminem had idolized The Slim Shady LP co-producer Dr. Dre (pictured in 2008) since he was a teenager.

The Slim Shady LP was recorded at Studio 8 at 430 8 Mile Road in Ferndale, Michigan.[8] Eminem, who had idolized Dr. Dre since listening to his grouping Northward.Westward.A as a teenager, was nervous to work with him on the album: "I didn't desire to be starstruck or kiss his ass besides much ... I'm just a little white male child from Detroit. I had never seen stars, let lonely Dr. Dre."[9] However, Eminem became more comfortable working with Dr. Dre later a series of highly productive recording sessions.[10] The recording process more often than not began with Dr. Dre creating a vanquish and Eminem using the tracks as a template for his freestyle raps; "Every beat he would make, I had a rhyme for", Eminem recalled.[10] He later said: "Every time I sat down with a pen, everything was just like: fuck y'all, fuck this, fuck them, fuck that, fuck the world, fuck what everybody thinks. Fuck them."[5] On the first 24-hour interval of recording, Eminem and Dr. Dre finished "My Name Is" in an 60 minutes.[5] Iii other songs, including "Role Model", were also recorded that mean solar day.[9]

"'97 Bonnie & Clyde", which was formerly featured on the Slim Shady EP as "Just the 2 of Us", was re-recorded for The Slim Shady LP to feature his daughter Hailie's vocals. Because the song focuses on disposing of his girlfriend'southward corpse, Eminem was not comfortable with explaining the situation to Kim, and instead told her that he would exist taking Hailie to Chuck East. Cheese'southward. However, he actually took her to the recording studio.[5] He explained, "When she found out I used our daughter to write a song almost killing her, she fucking blew. Nosotros had just got back together for a couple of weeks. And then I played her the song and she bewitched the fuck out." Eminem also said, "When she (Hailie) gets onetime enough, I'k going to explain it to her. I'll allow her know that Mommy and Daddy weren't getting forth at the fourth dimension. None of information technology was to be taken too literally, although at the time I wanted to fucking do it."[v] The song "Guilty Conscience" contains a humorous reference to an occasion in which Dr. Dre assaulted Dee Barnes. Having but known Dr. Dre for a few days, Eminem was anxious about how he would react to such a line, and to his relief, Dr. Dre "brutal out of his chair laughing" upon hearing the lyric.[11]

"Ken Kaniff", a skit involving a prank call to Eminem, featured fellow Detroit rapper Aristotle. Afterward a falling out between the ii in the wake of Eminem'southward breakthrough success, Eminem instead played Ken Kaniff on skits on future albums. Ken Kaniff would end up appearing in more than Eminem albums over the form of his career and was final heard in The Marshall Mathers LP ii.[12] Another skit, "Bitch", is an answering machine message in which Zoe Winkler, daughter of role player Henry Winkler, tells a friend that she was disgusted by Eminem'south music. He met and had dinner with her in lodge to get permission to use the recording on the album.[xiii] During the mixing procedure of The Slim Shady LP, at the same time, Kid Stone was recording his 4th studio album, Devil Without a Crusade; being friends with Kid Rock, Eminem asked Child Stone to record scratching for Eminem's song "My Fault", which appears on The Slim Shady LP; in return, Eminem delivered a guest rap verse on Kid Rock's song "Fuck Off" for Devil Without a Crusade.[fourteen]

Production [edit]

The album's production was handled primarily by Dr. Dre, the Bass Brothers, and Eminem.[17] [18] The beats have been compared to W Coast hip hop and G-funk musical styles.[19] Kyle Anderson of MTV wrote that "The beats are total of bass-heavy hallucinations and create huge, scary sandboxes that permit Em to play."[17] According to the staff at IGN, "'97 Bonnie & Clyde" is backed by the "lulling serenity of a super silky groove".[xv] "Cum on Everybody"; which features guest vocals from American vocalizer Dina Rae[20] contains an upbeat dance rhythm, while "My Proper noun Is", which is built effectually a sample from British musician Labi Siffre's "I Got The", features a prominent bassline and psychedelic-style keyboards.[17] [xv] [16] "I'm Shady" was originally written over a Sade runway, but after hearing a sample of Curtis Mayfield's "Pusherman" in Ice-T's song "I'm Your Pusher", Eminem decided it would exist more plumbing fixtures to use "Pusherman".[21]

Eminem's vocal inflection on the album has been described as a "nasal whine"; Jon Pareles of The New York Times likened his "calmly sarcastic delivery" to "the early Beastie Boys turned contemptuous".[22] Writing for the Chicago Tribune, columnist Greg Kot compared the rapper's vocals to "Pee-wee Herman with a nasal Midwestern emphasis".[23] A skit entitled "Lounge" appears before "My Error" featuring Eminem and the Bass Brothers imitating rat pack crooners. Jeff Bass came up with the line "I never meant to give yous mushrooms" for the skit, which in turn inspired Eminem to write "My Fault".[24]

Lyrical themes [edit]

Many of the songs from The Slim Shady LP are written from the perspective of Eminem's change ego, Slim Shady, and contain cartoonish depictions of violence, which he refers to as "made-upward tales of trailer-park stuff".[26] The rapper explained that this bailiwick matter is intended for entertainment value, likening his music to the horror moving picture genre: "Why tin can't people see that records tin can be like movies? The only difference between some of my raps and movies is that they aren't on a screen."[27] Some of the lyrics have also been considered to be misogynistic by critics and commentators.[28] Eminem acknowledged the accusations, and clarified, "I have a fairly salty relationship with women ... But most of the time, when I'm maxim shit about women, when I'm saying 'bitches' and 'hoes', it'southward so ridiculous that I'g taking the stereotypical rapper to the extreme. I don't hate women in general. They just make me mad sometimes.'"[28] Despite the album's explicit nature, Eminem refused to say the word "nigga" on the album, noting, "Information technology's not in my vocabulary."[28] The Slim Shady LP begins with a "Public Service Proclamation" introduction performed by producer Jeff Bass of the Bass Brothers, and serves as a sarcastic disclaimer discussing the album'south explicit lyrical content.[29] Later on in the album, a skit entitled "Paul" features a phone call from Paul Rosenberg to Eminem telling him to "tone down" his lyrics.[30]

"Guilty Conscience" is a concept vocal featuring Dr. Dre. The song focuses on a serial of characters who are faced with various situations, while Dr. Dre and Eminem serve as the "angel" and "devil" sides of the characters' conscience, respectively.[17] The song draws inspiration from a scene in the 1978 comedy film National Lampoon's Animal House, in which a man takes advice from an affections and devil on his shoulder while because raping an unconscious girl at a political party.[27] In the film, he ends up deciding non to become through with the rape, but in "Guilty Conscience", the outcome is unclear.[27] On "My Error", Eminem tells the story of a girl who overdoses on psychedelic mushrooms at a rave.[31] "'97 Bonnie & Clyde" features Eminem convincing his infant daughter to assist him in disposing of his wife's corpse. It is an epilogue to the vocal "Kim", although "'97 Bonnie & Clyde" was released first. Eminem wrote the song at a fourth dimension in which he felt that Kim was stopping him from seeing his daughter.[27] Stephen Thomas Erlewine of Allmusic explained that "In that location accept been more violent songs in rap, just few more than disturbing, and information technology'due south not because of what it describes, it's how he describes it -- how the perfectly modulated phrasing enhances the horror and black humor of his words."[18] On the song "Brain Damage", Eminem discusses his babyhood experiences with bullies at school, peculiarly recalling a traumatic incident where he sustained a serious concussion afterward he was severely beaten by a bully.[32]

Although many of the lyrics on the album are intended to be humorous, several songs depict Eminem's frustrations with living in poverty. When discussing The Slim Shady LP, Anthony Bozza of Rolling Stone described Eminem as "probably the merely MC in 1999 who boasts low self-esteem. His rhymes are jaw-droppingly perverse, bespeaking a minimum-wage life devoid of hope, flushed with rage and weaned on sci-fi and slasher flicks."[5] Eminem was inspired to write "Stone Lesser" afterwards beingness fired from his cooking job at a eating house days earlier his daughter'due south altogether.[5] The song bemoans man dependency on money, discussing its ability to educate an individual.[25] He illustrates his struggles to provide for his daughter, describing himself every bit "discouraged, hungry, and malnourished."[25] "If I Had" follows a like theme, as he describes living on minimum wage and remarks that he is "tired of jobs starting off at $five.l an 60 minutes".[33] In the song, he expresses his irritation with fitting the "white trash" stereotype.[34]

Critical reception [edit]

Professional ratings
Review scores
Source Rating
AllMusic [eighteen]
Chicago Sun-Times [35]
Christgau'due south Consumer Guide A−[36]
Amusement Weekly C+[37]
Los Angeles Times [38]
Melody Maker [39]
NME 6/ten[forty]
Rolling Rock [19]
The Rolling Stone Anthology Guide [41]
Spin eight/10[42]

The album was met with critical acclaim. Stephen Thomas Erlewine of AllMusic gave the album five stars out of five, praising the rapper's "expansive vocabulary and bright imagination", calculation that "Years afterwards, as the shock has faded, it's those lyrical skills and the subtle mastery of the music that however resonate, and they're what make The Slim Shady LP one of the bang-up debuts in both hip-hop and modern pop music."[eighteen] David Browne of Entertainment Weekly described the anthology'southward "unapologetic outrageousness" equally a reaction to the "soul positivity" of witting hip hop, noting that "The Slim Shady LP marks the render of irreverent, wiseass attitude to the genre, heard throughout the album in its nonstop barrage of crudely funny rhymes ... Fifty-fifty pop fans muffled to graphic lyrics are likely to flinch."[37] Soren Bakery of the Los Angeles Times gave the album 3 and a half stars out of four and stated that "He isn't afraid to say anything; his lyrics are then clever that he makes murder sound as if it'south a funny human action he may indulge in simply to pass the time" but lamented the "sometimes apartment production that takes away from the power of Eminem'due south exact mayhem."[38]

Many reviewers commented on the album's lyrical content. Gilbert Rodman of Pop Communications states, "Eminem's music contains more than its fair share of misogynistic and homophobic lyrics, simply simply to reduce information technology to these (as many critics practise) doesn't help to explain Eminem. It only invokes a platitude or a sound bite to explain him abroad."[43] Rob Sheffield of Rolling Rock enjoyed the record's comedic nature, writing "Simply put: Eminem will scissure you upward", but also felt that the misogynistic lyrics abound tiresome, noting that "the wife-killing jokes of "97 Bonnie and Clyde' aren't whatever funnier than Garth Brooks', and 'My Error' belongs on some sorry-ass Bloodhound Gang tape."[nineteen] Nathan Rabin of The A.Five. Club felt that although the anthology is "sophomoric and bromidic" at times, Eminem's "surreal, ultraviolent, trailer-trash/postal service-gangsta-rap extremism is at least a breath of fresh air in a rap world that's despairingly low on new ideas."[44] Mike Rubin of Spin noted that "his scenarios are so far-fetched the songs almost never sound as ugly as they really are."[42] Chris Dafoe of The World and Mail opined that "Abused by swain students and teachers, cheated on by his girlfriend, despised by society, Shady goes over the top now and then - or rather way over the top - only Dre's lean production, full of strange voice and comic interjections, hold things together."[45] Reviewing for The Village Voice in 1999, Robert Christgau chosen the tape a "platinum-bound crusade celebre" and, despite succumbing to "ho-hum sensationalism" toward the terminate, Eminem shows "more comic genius than whatsoever pop musician since", peradventure, Loudon Wainwright III."[46]

Accolades [edit]

At the 42nd Grammy Awards in 2000, the album won Best Rap Album, while "My Proper name Is" won All-time Rap Solo Performance.[47] Rolling Stone ranked The Slim Shady LP number 275 on its list of The 500 Greatest Albums of All Time and 33 on its listing of the "100 Best Albums of the '90s".[48] [49] In 2020, Rolling Rock ranked The Slim Shady LP every bit the 352nd greatest album of all time on their 500 Greatest Albums of All Time. NME ranked it number 248 in its list of The 500 Greatest Albums of All Fourth dimension.[50] Blender ranked it number 49 in its list of The 100 Greatest American Albums of All Fourth dimension.[51] "Ken Kaniff" was listed every bit number xv on Complex'southward "50 Greatest Hip-Hop Skits" list, while the "Public Service Announcement" introduction to the album, forth with the "Public Service Announcement 2000" introduction from The Marshall Mathers LP, was listed as number 50 on the list.[29] [52] It also won Outstanding National Album at the 2000 Detroit Music Awards.[53] In 2015, it was ranked at number 76 by About.com in their listing of "100 best hip-hop albums of all time".[54] Christgau later named it among his ten all-time albums from the 1990s.[55]

Commercial performance [edit]

In the album's showtime week of release, The Slim Shady LP sold 283,000 copies, debuting at number two on the Billboard 200 chart behind TLC's FanMail.[56] The record remained on the Billboard 200 for 100 weeks.[57] It as well reached number ane on the R&B/Hip Hop Albums chart, staying on the chart for 92 weeks.[57] On April five, 1999, The Slim Shady LP was certified platinum by the Recording Industry Association of America for sales of over ane one thousand thousand copies.[58] On November xv, 2000, the album was certified quadruple platinum past the RIAA.[58] "My Name Is", the anthology'south pb unmarried, peaked at number 36 on the Billboard Hot 100, remaining on the chart for x weeks.[59] The single additionally peaked at number 18 on the magazine's R&B/Hip-Hop Songs chart, 29 on the Pop Songs nautical chart, and 37 on the Alternative Songs chart.[59] "Guilty Conscience" reached number 56 on the Billboard R&B/Hip-Hop Songs chart, while "Just Don't Give a Fuck" peaked at number 62 on the chart.[sixty] [61]

By November 2013, the anthology sold 5,437,000 copies in the United States.[62] on the weekly Canadian Albums Nautical chart and remained on the chart for twelve weeks.[57] Additionally, the album was certified triple platinum past the Canadian Recording Industry Association for shipments of over 200,000 units.[63] The album was also certified double platinum in the Britain, where it peaked at number ten on the United kingdom of great britain and northern ireland Albums chart and remained on the chart for a total of 114 weeks.[64] [65] In Australia, the anthology peaked at number 49 on the ARIA Chart, and was eventually certified platinum in the state.[66] [67] The album had as well peaked at the number twenty and 23 chart positions in the netherlands and New Zealand, respectively. Information technology was certified gilt in kingdom of the netherlands and platinum in New Zealand.[68] [69] [70]

Backwash [edit]

The anthology's success transformed Eminem (pictured in a concert in Munich, Germany in October 1999) into an international celebrity.

After the success of The Slim Shady LP, Eminem went from an underground rapper into a high-contour celebrity. Interscope Records awarded him with his own tape characterization, Shady Records; the first artist Eminem signed was rapper and his best friend Proof.[71] Eminem, who had previously struggled to provide for his daughter, noted a drastic change in his lifestyle: "This terminal Christmas, there were so many fucking presents nether the tree ... My daughter wasn't born with a argent spoon in her oral fissure. But she's got ane now. I tin't stop myself from spoiling her."[71]

"Everyone who believes kids are naive enough to take this tape literally is right to fear them, considering that'southward the kind of developed teenagers hate. [This cause célèbre dares] moralizers to get on the attack while explicitly—only non (fuck you lot, dickwad) unambiguously—declaring itself a satiric, cautionary fiction".

— Christgau's Consumer Guide: Albums of the '90s (2000)[36]

To promote The Slim Shady LP, Eminem embarked on an extensive tour schedule. He joined the Vans Warped Bout as a final-infinitesimal replacement for Cypress Loma, a schedule that included 31 North American dates from June 25 to July 31, outset in San Antonio and ending in Miami.[72] He often played a show in the afternoon on the Warped Bout, and so drove to some other location to perform at a hip hop club at nighttime.[71] During a operation in Hartford, Connecticut most the end of the Warped Tour, Eminem slipped on a pool of liquid and savage ten feet down off the stage, cracking several ribs.[72] [73] He recalled that the stress of his newfound fame led him to drink excessively, and reflected, "I knew I had to slow it downwards. The fall was like a reminder."[73] Withal, after receiving medical attending, he was well enough to travel to New York the following day for a functioning on Total Request Live.[72]

Eminem as well became a highly controversial effigy due to his lyrical content. He was labeled as "misogynist, a nihilist and an abet of domestic violence", and in an editorial by Billboard editor in main Timothy White, the writer accused Eminem of "making money by exploiting the world's misery."[v] During a radio interview in San Francisco, Eminem reportedly angered local DJ Sista Tamu due to a freestyle about "slapping a pregnant bitch" to the extent that on air she broke a re-create of The Slim Shady LP.[73] The rapper defended himself by saying, "My album isn't for younger kids to hear. Information technology has an advisory sticker, and you must be eighteen to get information technology. That doesn't mean younger kids won't become it, but I'm non responsible for every kid out at that place. I'm not a role model, and I don't claim to be."[5]

Lawsuits [edit]

On September 17, 1999, Eminem's mother, Deborah Nelson, filed a $10 million lawsuit against him for slander based on his claim that she uses drugs in the line "I simply found out my mom does more than dope than I do" from "My Name Is".[74] [75] Afterward a two-year-long trial, she was awarded $25,000, of which she received $i,600 subsequently legal fees.[74] Eminem was non surprised that his mother had filed the lawsuit against him, referring to her as a "lawsuit queen", and alleging that "That'south how she makes money. When I was five, she had a job on the cash register at a shop that sold chips and soda. Other than that, I don't remember her working a day in her life."[75] She later filed another lawsuit against him for emotional damages suffered during the beginning trial, which was later dismissed.[74]

In December 2001, DeAngelo Bailey, a janitor living in Roseville, Michigan who was fabricated the subject of the song "Brain Harm" in which he is portrayed every bit a school not bad, filed a $1 million lawsuit against Eminem for slander and invasion of privacy.[32] Bailey'due south attorney stated "Eminem is a Caucasian male who faced criticism inside the music manufacture that he had not suffered through hard circumstances growing up and he was therefore a 'pretender' in the industry ... Eminem used Bailey, his African-American babyhood schoolmate, equally a pawn in his effort to stem the tide of criticism."[32] In 1982, Eminem'south mother unsuccessfully sued the Roseville schoolhouse district for non protecting her son, as she claimed that attacks from bullies caused him headaches, nausea, and antisocial behavior.[32] Additionally, Bailey had previously admitted to bullying Eminem in the April 1999 issue of Rolling Stone Magazine.[5] The lawsuit was dismissed by judge Deborah Servitto in 2003, who wrote her ruling in the course of rap-like rhyme. She ruled that the lyrics—which include the schoolhouse master collaborating with Bailey, and Eminem's entire brain falling out of his caput—were too exaggerated for a listener to believe that they were recalling an bodily consequence.[76] The verdict was upheld in 2005, and Bailey's lawyer ruled out any further appeals.[76]

In September 2003, 70-yr-quondam widow Harlene Stein filed suit confronting Eminem and Dr. Dre on the grounds that "Guilty Conscience" contains an unauthorized sample of "Become Home Pigs" composed for the motion-picture show Getting Straight by her husband, Ronald Stein, who died in 1988.[77] Although the anthology'south liner notes state that the vocal contains an "interpolation" of "Get Dwelling Pigs", Stein is non credited as a composer and his wife was not paid royalties for employ of the song.[77] The lawsuit requested for 5 pct of the retail list price of xc percent of the all copies of the record sold in America, and two.5 percent of the retail price of 90 percent of the copies of the album sold internationally.[77]

Track listing [edit]

All tracks are written by Marshall Mathers, Mark Bass and Jeff Bass, except where noted.

No. Title Writer(s) Producer(s) Length
ane. "Public Service Announcement" (skit; performed by Jeff Bass and Eminem)
  • Eminem
  • Mel-Man
 0:33
two. "My Proper name Is"
  • Mathers
  • Andre Young
 Dr. Dre four:28
3. "Guilty Conscience" (featuring Dr. Dre)
  • Mathers
  • Young
  • Dr. Dre
  • Eminem
 3:19
iv. "Encephalon Damage"
  • Eminem
  • Bass Brothers[a]
three:46
5. "Paul" (skit; performed past Paul Rosenberg)
  • Eminem
  • Jeff Bass[a]
0:15
6. "If I Had"
  • Bass Brothers
  • Eminem[a]
  • DJ Rec[b]
four:05
7. "'97 Bonnie & Clyde"
  • Bass Brothers
  • Eminem[a]
  • DJ Caput[b]
5:16
eight. "Bitch" (skit; performed by Zoe Winkler) Eminem 0:19
9. "Function Model"
  • Mathers
  • Young
  • Melvin Bradford
  • Dr. Dre
  • Mel-Human
 three:25
10. "Lounge" (skit; performed by Eminem and Marky & Jeff Bass)
  • Eminem
  • Mark Bass[a]
0:46
11. "My Fault"
  • Bass Brothers
  • Eminem
 4:01
12. "Ken Kaniff" (skit; performed by Aristotle, Eminem and Yard. Bass)
  • Jeff Bass
  • Mark Bass
 ane:16
13. "Cum on Everybody" (featuring Dina Rae)
  • Bass Brothers
  • Eminem[a]
3:39
xiv. "Rock Bottom" Bass Brothers 3:34
fifteen. "Just Don't Requite a Fuck"
  • Bass Brothers
  • Eminem[a]
  • Denaun Porter[b]
4:02
16. "Soap" (skit; performed by Royce da 5'9" and J. Bass)
  • Jeff Bass
  • Mark Bass
  • Eminem[a]
0:34
17. "As the World Turns"
  • Bass Brothers
  • Eminem[a]
  • Justin Trugman[b]
iv:25
eighteen. "I'1000 Shady"
  • Bass Brothers
  • Eminem[a]
3:31
19. "Bad Meets Evil" (featuring Royce da 5'9")
  • Mathers
  • Ryan Montgomery
  • J. Bass
  • K. Bass
  • Bass Brothers
  • Eminem[a]
4:13
20. "Still Don't Give a Fuck"
  • Bass Brothers
  • Eminem[a]
four:12
Total length: 59:39
The Slim Shady LP: Special Edition Bonus Disc [78]
No. Title Length
1. "Hazardous Youth" (acapella version) 0:47
ii. "Become You Mad" 4:21
3. "Greg" (acapella version) 0:53
4. "But Don't Give a Fuck" (music video)
5. "My Proper noun Is" (music video)
6. "Guilty Conscience" (music video)
7. "Function Model" (music video)
8. "The Slim Shady LP" (live and studio footage)
The Slim Shady LP: Expanded Edition bonus tracks[79]
No. Title Length
21. "Hazardous Youth" (acapella version) 0:44
22. "Become You Mad" (with Sway & King Tech and DJ Revolution) iv:22
23. "Greg" (acapella version) 0:52
24. "Bad Guys Always Dice" (with Dr. Dre) 4:39
25. "Guilty Conscience" (featuring Dr. Dre) (radio version) 3:19
26. "Guilty Conscience" (featuring Dr. Dre) (instrumental) three:20
27. "Guilty Censor" (featuring Dr. Dre) (acapella version) iii:16
28. "My Proper name Is" (instrumental) 4:29
29. "Just Don't Give a Fuck" (acapella version) 3:35
30. "Just Don't Give a Fuck" (instrumental) 4:08

Notes

  • ^[a] signifies a co-producer.
  • ^[b] signifies a pre-production.
  • On the clean version of the album, "Bitch", "Cum on Everybody", "Just Don't Give a Fuck", and "Even so Don't Give a Fuck" are respectively retitled "Zoe", "Come on Everybody", "Just Don't Give", and "Still Don't Give".
  • Some online platforms (such as Myspace) include an alternate make clean version of the album which completely removes the song "Guilty Conscience".

Charts [edit]

Certifications [edit]

See also [edit]

  • Grammy Honor for Best Rap Album
  • List of number-one R&B albums of 1999 (U.S.)

References [edit]

  1. ^ Smith, Chris (2009). 101 Albums that Changed Popular Music. New York: Oxford University Press. ISBN9780195373714 . Retrieved 24 November 2019.
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Works cited [edit]

  • Bozza, Anthony (2003). Whatever You Say I Am: The Life and Times of Eminem. New York, New York, United States: Crown Publishing Grouping. ISBNi-4000-5059-6.
  • Hartigan, John (2005). Odd Tribes: Toward a Cultural Assay of White People. Duke University Press Books. ISBN978-0-8223-3597-9.
  • Hasted, Nick (2011). The Dark Story of Eminem. Omnibus Press. ISBN978-1-84938-458-two.
  • Huxley, Martin (2000). Eminem: Crossing the Line. ISBN0-312-26732-0.
  • Stubbs, David (2006). Eminem: The Stories Behind Every Song. Da Capo Printing. ISBN978-1-56025-946-6.

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